Traditionally, crafting objects out of coconut shell to make household objects was practiced by coconut farmers. They would scoop out the copra by making a neat hole at the top of the shell, and use the shell, which was the waste or by-product.
It is believed that as a craft, coconut shell/wood carving could have been experimented with by craftsmen from the Vishwakarma community in Kerala. Traditionally involved in sword making and carving wood and ivory, they may have tried out coconut wood and shell as well.


Coconut shell and wood craft is primarily prevalent in Kerala: in and around Calicut, Trivandrum, Attingal, Neyyatinkara and Quilandy in Kozhikode. Other states where this craft is practiced are Goa, the Andaman and Nicobar Islands and a few parts of Bengal, Pondicherry and Tamil Nadu. Another instance of availability of coconut shell craft is in the tribal belt of Bastar where intricately designed patterns in white metal are inlayed in the shell and cut to make bangles

This craft is also prevalent in other countries such as Cambodia, Thailand, the Philippines, Java, Maldives and Sri Lanka.
Kavin crafts is group of artisans from Pondicheery India,manufacturing eco friendly handmade products.Kavin’s Craft has a small production unit with a lathe machine and a vertical drilling machine.

Epigraphy or incision of text on a hard surface like clay tablet,metal plate or a rock was a common practice for keeping literary records in all popular civilisations from Indus valley in the east to the Mayan civilisation in the west. Ever since the beginning of the human history, literary sources are considered to be the most valuable and reliable sources of information. Although in Indian subcontinent, there are evidences of written manuscripts which dates back to 1000BCE, but some archeologist believes that the languages used in these manuscripts are derivates of an older, much simpler parent language. While the ancient manuscripts from Indus valley is still to be decoded properly, the two oldest recognisable language from Indian subcontinent are Sanskrit and Tamil, written in various scripts like Dravidian, Devanagari, Brahmi and Prakrit. While Sanskrit was dominant in the North- Western part of the Indian subcontinent, Tamil dominated the South-Eastern part of it. Tamil is the oldest subcontinental language which is spoken till date. It has evidences to be found at around 300 BCE.

During the Pandyan rule of around 1200 years, the Thamizh script had changed drastically and is still going through a lot of of changes. The city of Madurai, which has long been the Pandyan capital is the best place to visit, to know the evolution of Tamil script. The inscription at Samanar malai has from 4th century AD in “vattezhuthu” has Jain aesthetic where as the inscription on the walls of eastern gate of Meenakshiamman temple has inscriptions which is from 12th century AD is quite similar to modern Tamil.
These Tamil epigraphs showed us how a script can play an major role in evolving a language over a course of time. These manuscripts also made us realise how important the art and skill of epigraphy was. Epigraphy is currently no longer practiced but this skill based art is the reason why we know what we know about our history.

Documented by Kritarth Ghosh

Story telling has always been a part of humans since time immemorial. Starting from the cave paintings, man has always been interested in narrating and listening to stories. Mr. A. Selvaraja is one such inspiring person who comes from a family that holds a legacy of an ancient art, Leather puppets (or shadow puppets).

Thol bommalatam or shadow puppet is said to be one of the oldest crafts of India. Shadow puppets are flat colourful puppets, made from leather, which are operated against the rear of a tightly stretched white cloth. They are pressed against the cloth with strong source of light behind it and handled with thin bamboo sticks stuck to them. The arms have movable joints so that they can be moved in a specific way.The puppeteer holds the puppet by the lower end of the bamboo stick with one hand, and with a stick in the other hand, they manoeuver the puppet to perform the desired movements. It usually takes around 8 to 10 people to conduct the puppet show, a few for handling the puppets and the rest for playing music. His family has been a part of this art form for nearly a century. He was born into a family of puppeteers, where his ancestors are said to have been puppeteers at the court of the Sarafoji kings of Tanjore.



Preparing the leather puppets is a tedious process, that often takes a couple of days to make even the smallest of the lot. The puppets were considered to be a priced possession. Earlier, the puppets were made of deer skin and painted with natural organic dyes, which were considered to be the most valuable. The skin is treated in the sun for hours and the pulled and stretched. The process in repeated a couple of times until the leather becomes translucent so as to allow the light to pass through it.

Puppetry that started as a court entertainment exclusively for royalties, slowly started coming out for the view of general public. Ramayana was the first ever story to be performed on the shows. Later, different stories like Harichandra, Pragalath were performed at the cause of teaching morals to people especially children. When the British rule took over India, the puppeteers were left to fend for themselves. They started moving from place to place pitching tents in one village after the other and performing for the locals. They would often settled in the villages for months, met new people, made friends and left a piece of their heart as they left. Their life was a beautiful adventure every other month.

Gearing up for a show

All this slowly started coming to an end, as television started blooming and one day it totally swept of the puppetry. Presently, Mr. Selvaraja is sadly one among a very few people in the state to perform and make leather puppets. He performs in Dakshin Chitra for tourists every weekend, for four shows per day. He manipulates the plot of the story every week according to important current events.

Contact :
Mr. A. Selvaraja Naidu,
No.211, pillar kovil big street,Kolathur village,
via vandalur-mambakkam,
kanchipuram district
Mobile No.- 09444671029
Dakshin Chitra puppet show timings - 11am, 12am, 3pm and 4pm (every weekend)