Showing posts with label dolls. Show all posts
Showing posts with label dolls. Show all posts
Thursday, February 23, 2017
Paper Dolls and baskets
No comments:
Labels:
Auroville,
basket making,
dolls,
paper craft,
paper machie,
Pondicherry,
recycled craft
Auroville, a place known for its calm and peace with its diversity is also known for its handicrafts. Auroville doesn’t just promote human unity but also helps the struggling craftsmen. With people coming from all over the place, most of them have come there for a progressive conviction of living with no networks they get closer to discovering themselves and their priorities.
Paper Machie is one of the major crafts in Pondicherry that was getting lost in the technological based world. The artisans who had their living based on the craft were moving to other professions due to lack of financial stability. So when an Israeli got interested in it. He decided to invest some money and establish a brand where he employed to help women from that community to gain a better living.
These women now work in the beautiful village near Auroville creating dolls and baskets made out of recycled paper. In the earlier days clay toys were the main attraction but soon craftsmen in Auroville started making toys out of paper which later evolves into baskets and pen holders etc.
The figures of deities were more in demand but these days they make animals and other toys for children. These toys and dolls are colourful as a part of the religious services. The main colours used are orange and red and the accessories are painted on the dolls to make them look rich. Nature, Mythology, folklore these are the themes the craftsmen use to entice the buyers. Now nearly 300 units are involved in the making of paper Machie dolls around in Pondicherry.
The basic technique used in making these dolls are quite simple as they have moulds and the paper which they use to make these dolls are generally newspapers to decrease the cost in making. The baskets are made by rolling the newspapers into a thin roll and pasting them in the right shape on top of another. They are then coated with varnish to stay strong. They don’t paint the baskets as the main aim of the craft is know the beauty of papers that are rolled beautifully into shapes and sizes. Whereas the paper Machie dolls are painted with details.
The making of these dolls takes around two to three days generally. When you walk into the place, it’s filled with colourful that sit beautifully on their shelves and the beautiful baskets in various sizes that are kept. The prices of these are quite expensive as they are a striving community.
Documented by Lakshana vivek
Read More
Paper Machie is one of the major crafts in Pondicherry that was getting lost in the technological based world. The artisans who had their living based on the craft were moving to other professions due to lack of financial stability. So when an Israeli got interested in it. He decided to invest some money and establish a brand where he employed to help women from that community to gain a better living.
These women now work in the beautiful village near Auroville creating dolls and baskets made out of recycled paper. In the earlier days clay toys were the main attraction but soon craftsmen in Auroville started making toys out of paper which later evolves into baskets and pen holders etc.

The figures of deities were more in demand but these days they make animals and other toys for children. These toys and dolls are colourful as a part of the religious services. The main colours used are orange and red and the accessories are painted on the dolls to make them look rich. Nature, Mythology, folklore these are the themes the craftsmen use to entice the buyers. Now nearly 300 units are involved in the making of paper Machie dolls around in Pondicherry.
The basic technique used in making these dolls are quite simple as they have moulds and the paper which they use to make these dolls are generally newspapers to decrease the cost in making. The baskets are made by rolling the newspapers into a thin roll and pasting them in the right shape on top of another. They are then coated with varnish to stay strong. They don’t paint the baskets as the main aim of the craft is know the beauty of papers that are rolled beautifully into shapes and sizes. Whereas the paper Machie dolls are painted with details.
The making of these dolls takes around two to three days generally. When you walk into the place, it’s filled with colourful that sit beautifully on their shelves and the beautiful baskets in various sizes that are kept. The prices of these are quite expensive as they are a striving community.
Documented by Lakshana vivek
Monday, February 13, 2017
Marapachi Bommai
No comments:
Labels:
bride doll,
Chennai,
craft,
dolls,
golu,
kolu,
marapachi,
wooden dolls,
woodwork
India, home to the world’s largest democracy is a giant amalgamation of life on the move. Part of the lifestyle in India encompasses the monumental importance given to culture and arts. The average Indian lifestyle, in the ancient times, was culturally oriented. Whilst discipline and devotion were morals inculcated in a new-born, the applicative of the same was learning an art or a craft. The same moral is given utmost importance in order to keep alive the spirit of creativity, authenticity, ethnicity and learning. The Indian subcontinent plays the role of a humble abode to a number of forms in the name of the arts and crafts manifested in the nation and around it. With the authentic and indigenous crafts that it possesses, India makes a colossal embodiment of discovered and even so yet to discover arts and crafts
TamilNadu has a rich history of culture and tradition that has evolved over centuries. Perhaps the most profuse flowering of the Tamil culture is in the handicrafts of TamilNadu. By ceaselessly promoting the various ethnic art forms, simultaneously preserving antique artefacts from Chola and Pandya dynasties by reproducing their replicas, Tamil Nadu has become a world-known destination for pilgrims of art in search of fine handiworks of India, such as life-like, Stone Sculptures, Celestial figures in Bronze, Brass lamps, Rosewood Carvings, Sandalwood Carvings, country wood Carvings, Tanjore Art Plates, Tanjore Picture Paintings and much, and much more.
Mylapore the land of Tamil Brahmins, Iyers in particular. St. Thomas Basilica and the Ramakrishna Math (Pronounced as Muth), are some of the places that immediately come to mind when one says ‘Mylapore’.It is an amalgamation of Hindu, Muslim and Christian faiths. It’s a perfect example of secularism amongst the neighbourhoods of Chennai. It is a cultural hub and one of the oldest presidential parts of the city. It is impossible for one to leave Mylapore without gaining any cultural knowledge.
Like any age-old tradition, you can’t help but wonder, what is the significance of Marapachi Bommais? Some believe that these dolls were presented to the bride and the groom at the time of marriage as toys for the couple. After all when two people, rather two children, get married at the age of ten what better gift than toys to keep them happy. Yet another very interesting reason came to my attention while talking to people was, that these dolls dressed in their wedding attire helped in capturing the moment in the days where technology was clearly non-existent. In the absence of pictures, what better way to remember the way you looked when you were married?
The tradition of giving wooden dolls started when child marriage was an essential ceremony in India. Mainly In southern India wooden dolls were gifted to the bride from the groom’s family considering it as a symbol of inviting her in the new family, so that she feels welcomed. There were many other dolls made up of different materials (clay, marble etc.) which were gifted with the marapachi dolls, but the couple dolls had the most importance as it was gifted in a set of two symbolising the bride and the groom.
It is a traditional practice to have wooden figurines of the bride and groom together, called ‘Marapachi Bommai’ or ‘Pattada Gombe’, usually made of sandalwood, teak or rosewood and decorated with new clothes each year before being displayed on the Golu. In southern India, bride is presented with Marapachi Bommai during the wedding by her parents as part of wedding trousseau to initiate the yearly tradition of Navaratri Golu in her new home with her husband. These dolls come as couples dressed in their wedding attire, depicting husband and wife symbolizing prosperity and fertility and the start of the bride’s Golu collection. Display figurines are passed on from one generation to another as heirloom.The significance of this particular gift made of Marapachi doll in red sandal wood is stated to be the medicinal quality of the wood. When a child licks this plaything made of red sandalwood, the child’s saliva derives an extract of the wood which the child absorbs into its system.
The art of creating colourful Kolu dolls and statues has died out. The tradition that has been a part of our culture for centuries, is barely known by half of the population, let alone practiced.
Over the time, lineage of artisans have found it extremely difficult to attract their younger ones in practicing and continuing their hereditary crafts work. They look out for more viable options while pursuing their future, giving minimum importance to the tradition and more towards earning a comfortable livelihood.
The artisans, left in slender numbers, are falling short of work and they tend to resort to repairing the already made dolls instead of making new ones.
Mr. S. Paramasivam : +91 9841945161
Painter and restorer of old golu dolls
Mr Vinodh : +91 9884242203
Running a family business which is three generations old.
Documented by Shreya Singh
Read More
TamilNadu has a rich history of culture and tradition that has evolved over centuries. Perhaps the most profuse flowering of the Tamil culture is in the handicrafts of TamilNadu. By ceaselessly promoting the various ethnic art forms, simultaneously preserving antique artefacts from Chola and Pandya dynasties by reproducing their replicas, Tamil Nadu has become a world-known destination for pilgrims of art in search of fine handiworks of India, such as life-like, Stone Sculptures, Celestial figures in Bronze, Brass lamps, Rosewood Carvings, Sandalwood Carvings, country wood Carvings, Tanjore Art Plates, Tanjore Picture Paintings and much, and much more.
Mylapore the land of Tamil Brahmins, Iyers in particular. St. Thomas Basilica and the Ramakrishna Math (Pronounced as Muth), are some of the places that immediately come to mind when one says ‘Mylapore’.It is an amalgamation of Hindu, Muslim and Christian faiths. It’s a perfect example of secularism amongst the neighbourhoods of Chennai. It is a cultural hub and one of the oldest presidential parts of the city. It is impossible for one to leave Mylapore without gaining any cultural knowledge.

Marapachi dolls, also known as Marapachi Bommais are traditional dolls made of red sandalwood or red wood and are put on display during the Golu festival as a part of Navratri celebrations.These dolls are made in pairs, generally of male and female in naked forms are dressed up by children as part of playthings and displayed during the Golu or “Bommai Kolu” festival. Marapachi Bommais are special dolls that originated in Tirupathi, the land of Lord Venkateshwara. As the influx of raw materials slowed down, the artists started to migrate to various parts of the state and the country. Today in mylapore one can only notice a few artists keeping this art alive. Mr vinodh and Mr. Paramasivam are two such craftsmen who have been based in Mylapore for generations.

Like any age-old tradition, you can’t help but wonder, what is the significance of Marapachi Bommais? Some believe that these dolls were presented to the bride and the groom at the time of marriage as toys for the couple. After all when two people, rather two children, get married at the age of ten what better gift than toys to keep them happy. Yet another very interesting reason came to my attention while talking to people was, that these dolls dressed in their wedding attire helped in capturing the moment in the days where technology was clearly non-existent. In the absence of pictures, what better way to remember the way you looked when you were married?

The tradition of giving wooden dolls started when child marriage was an essential ceremony in India. Mainly In southern India wooden dolls were gifted to the bride from the groom’s family considering it as a symbol of inviting her in the new family, so that she feels welcomed. There were many other dolls made up of different materials (clay, marble etc.) which were gifted with the marapachi dolls, but the couple dolls had the most importance as it was gifted in a set of two symbolising the bride and the groom.
It is a traditional practice to have wooden figurines of the bride and groom together, called ‘Marapachi Bommai’ or ‘Pattada Gombe’, usually made of sandalwood, teak or rosewood and decorated with new clothes each year before being displayed on the Golu. In southern India, bride is presented with Marapachi Bommai during the wedding by her parents as part of wedding trousseau to initiate the yearly tradition of Navaratri Golu in her new home with her husband. These dolls come as couples dressed in their wedding attire, depicting husband and wife symbolizing prosperity and fertility and the start of the bride’s Golu collection. Display figurines are passed on from one generation to another as heirloom.The significance of this particular gift made of Marapachi doll in red sandal wood is stated to be the medicinal quality of the wood. When a child licks this plaything made of red sandalwood, the child’s saliva derives an extract of the wood which the child absorbs into its system.
Over the time, lineage of artisans have found it extremely difficult to attract their younger ones in practicing and continuing their hereditary crafts work. They look out for more viable options while pursuing their future, giving minimum importance to the tradition and more towards earning a comfortable livelihood.
The artisans, left in slender numbers, are falling short of work and they tend to resort to repairing the already made dolls instead of making new ones.
Mr. S. Paramasivam : +91 9841945161
Painter and restorer of old golu dolls
Mr Vinodh : +91 9884242203
Running a family business which is three generations old.
Documented by Shreya Singh
Wednesday, February 8, 2017
The Bobblehead Bommais of Thanjavur
Thanjavur Doll is a unique and antique product from Thanjavur city. This doll is a part of Thanjavur’s traditional arts. Previously it used to be only made in Thanjore but now it’s being produced in all parts of Tamil Nadu. The dolls are well known for its elegant movements and steps like a dancer. Traditionally known as Thanjavur Thalaiyatti Bommai (Thalaiyatti means ‘Shaking head’ and Bommai means ‘Doll’), are a part of an exquisite heritage of beautiful handicrafts from Thanjavur.
History:
The significance of these amazing dolls is intertwined with the history of the region, and dates back to the early 19th century during King Saraboji’s reign. His passion for colors and art evolved to be the root cause of this beautiful structure. Thanjavur Thalaiyatti Bommai is generally a pair of king and queen and in their doll-like sembalance symbolise the many dynasties that homed Thanjavur. These dolls have a next level charm about them, with a cordial and welcoming aura which can be attributed to the dancing style in which they seem to greet everyone mainly by shaking their heads ( which is their most striking feature) and moving their body in a continuous, oscillating movement.
Why thalaiyatti bommais are special?
It is quite interesting to note how the doll’s centre of gravity was identified and used during the early days. The doll’s total weight is concentrated on the bottom most central all the time. The round bottomed toy comes in sitting, standing and rotating types. Some artists tend to design thanjavur thalaiyatti bommai with a sense of humor.
Thanjavur dolls are sold extensively during navratri season. This is when the dolls are used as part of the golus. Myths and legends states that the tanjore racking dolls are used to showcase the downfall and upliftment of life. Nearly 9 racks are decorated with these beautiful little creations.
Process:
Clay from the banks of Cauvery, the river by which Thanjavur is situated, is used in its making. Plaster of Paris and paper pulp are mixed along with tuber gum in a dough-like consistency. Then the dough is beaten up to mix it well and is flattened to put it proportionally on the desired mould. This dough is pressed into moulds to make the front and back panels of the doll. Once dry, the panels are removed from the moulds and paper is stuck on them. Tuber gum is used to seal the front and back of the hollow doll as well as the seam that joins the clay-filled rounded base. Once the mould is dry, all the four parts are individually smoothened with sandpaper slowly. Oil paints are then used to coat them. Paints used in these dolls are of various colours.
Current Scenario:
There is a huge demand for papier mache dolls in the past few years. The Doll making industry is growing day by day.
As one of the artisan stated that there is also a high demand for dolls form NRIs. They have started frequenting the area to place orders for custom-made dolls. They ask for papier-mâché dolls not more than five inches high so that they can be transported to their countries easily. They give the design or photograph for the doll of their choice. Nowadays people want innovative sets of dolls for theme-based ‘Kolu’ arrangements during Navarathri. Women in the area have formed self-help groups and run their own production units. They get loans from the government and function in groups of 15 members. This has not only given us additional source of income, but has also instilled confidence in them.
Contact Details Located In: 1st Street, Lakshmi Nagar, Velachery
Contact: 9042308508
Working Hours: 09:00 to 18:00
Documented by Urvashi

History:
The significance of these amazing dolls is intertwined with the history of the region, and dates back to the early 19th century during King Saraboji’s reign. His passion for colors and art evolved to be the root cause of this beautiful structure. Thanjavur Thalaiyatti Bommai is generally a pair of king and queen and in their doll-like sembalance symbolise the many dynasties that homed Thanjavur. These dolls have a next level charm about them, with a cordial and welcoming aura which can be attributed to the dancing style in which they seem to greet everyone mainly by shaking their heads ( which is their most striking feature) and moving their body in a continuous, oscillating movement.
Why thalaiyatti bommais are special?
It is quite interesting to note how the doll’s centre of gravity was identified and used during the early days. The doll’s total weight is concentrated on the bottom most central all the time. The round bottomed toy comes in sitting, standing and rotating types. Some artists tend to design thanjavur thalaiyatti bommai with a sense of humor.
Thanjavur dolls are sold extensively during navratri season. This is when the dolls are used as part of the golus. Myths and legends states that the tanjore racking dolls are used to showcase the downfall and upliftment of life. Nearly 9 racks are decorated with these beautiful little creations.

Process:
Clay from the banks of Cauvery, the river by which Thanjavur is situated, is used in its making. Plaster of Paris and paper pulp are mixed along with tuber gum in a dough-like consistency. Then the dough is beaten up to mix it well and is flattened to put it proportionally on the desired mould. This dough is pressed into moulds to make the front and back panels of the doll. Once dry, the panels are removed from the moulds and paper is stuck on them. Tuber gum is used to seal the front and back of the hollow doll as well as the seam that joins the clay-filled rounded base. Once the mould is dry, all the four parts are individually smoothened with sandpaper slowly. Oil paints are then used to coat them. Paints used in these dolls are of various colours.

Current Scenario:
There is a huge demand for papier mache dolls in the past few years. The Doll making industry is growing day by day.
As one of the artisan stated that there is also a high demand for dolls form NRIs. They have started frequenting the area to place orders for custom-made dolls. They ask for papier-mâché dolls not more than five inches high so that they can be transported to their countries easily. They give the design or photograph for the doll of their choice. Nowadays people want innovative sets of dolls for theme-based ‘Kolu’ arrangements during Navarathri. Women in the area have formed self-help groups and run their own production units. They get loans from the government and function in groups of 15 members. This has not only given us additional source of income, but has also instilled confidence in them.
Contact Details Located In: 1st Street, Lakshmi Nagar, Velachery
Contact: 9042308508
Working Hours: 09:00 to 18:00
Documented by Urvashi
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